Events at this location

Rattle and Chat

Time: 1:00 pm – 3:00 pm
Location: Wild Rose Room

This free partner program between Lac La Biche County Libraries and FCSS Young Family Connections is especially designed for ages 0-18 months. This program will be held in the library & the Wild Rose Room on Wednesdays from 1:00-3:00pm.

2021-2022 Dates:

• Sep. 8th – Dec 8th
• Jan. 12th – Jun. 8th (no session Apr 13th)

Time: 10:30 am – 11:30 am
Location: Wild Rose Room

This free partner program between the Lac La Biche County Libraries and FCSS Young Family Connections is designed for ages 0 to 5 and they must be accompanied by a caregiver. Sessions are held on Thursdays from 10:30-11:30am in the Wild Rose Room.

2021-2022 Dates:

• Sept. 9th – Dec. 9th
• Jan. 13th – Jun. 9th (no sessions on Feb. 17th or Apr. 14th)

Rattle and Chat

Time: 1:00 pm – 3:00 pm
Location: Wild Rose Room

This free partner program between Lac La Biche County Libraries and FCSS Young Family Connections is especially designed for ages 0-18 months. This program will be held in the library & the Wild Rose Room on Wednesdays from 1:00-3:00pm.

2021-2022 Dates:

• Sep. 8th – Dec 8th
• Jan. 12th – Jun. 8th (no session Apr 13th)

Time: 10:30 am – 11:30 am
Location: Wild Rose Room

This free partner program between the Lac La Biche County Libraries and FCSS Young Family Connections is designed for ages 0 to 5 and they must be accompanied by a caregiver. Sessions are held on Thursdays from 10:30-11:30am in the Wild Rose Room.

2021-2022 Dates:

• Sept. 9th – Dec. 9th
• Jan. 13th – Jun. 9th (no sessions on Feb. 17th or Apr. 14th)

Rattle and Chat

Time: 1:00 pm – 3:00 pm
Location: Wild Rose Room

This free partner program between Lac La Biche County Libraries and FCSS Young Family Connections is especially designed for ages 0-18 months. This program will be held in the library & the Wild Rose Room on Wednesdays from 1:00-3:00pm.

2021-2022 Dates:

• Sep. 8th – Dec 8th
• Jan. 12th – Jun. 8th (no session Apr 13th)

Time: 10:30 am – 11:30 am
Location: Wild Rose Room

This free partner program between the Lac La Biche County Libraries and FCSS Young Family Connections is designed for ages 0 to 5 and they must be accompanied by a caregiver. Sessions are held on Thursdays from 10:30-11:30am in the Wild Rose Room.

2021-2022 Dates:

• Sept. 9th – Dec. 9th
• Jan. 13th – Jun. 9th (no sessions on Feb. 17th or Apr. 14th)

Time: 10:30 am – 11:30 am
Location: Wild Rose Room

This free partner program between the Lac La Biche County Libraries and FCSS Young Family Connections is designed for ages 0 to 5 and they must be accompanied by a caregiver. Sessions are held on Thursdays from 10:30-11:30am in the Wild Rose Room.

2021-2022 Dates:

• Sept. 9th – Dec. 9th
• Jan. 13th – Jun. 9th (no sessions on Feb. 17th or Apr. 14th)

Time: 10:30 am – 11:30 am
Location: Wild Rose Room

This free partner program between the Lac La Biche County Libraries and FCSS Young Family Connections is designed for ages 0 to 5 and they must be accompanied by a caregiver. Sessions are held on Thursdays from 10:30-11:30am in the Wild Rose Room.

2021-2022 Dates:

• Sept. 9th – Dec. 9th
• Jan. 13th – Jun. 9th (no sessions on Feb. 17th or Apr. 14th)

Time: 10:30 am – 11:30 am
Location: Wild Rose Room

This free partner program between the Lac La Biche County Libraries and FCSS Young Family Connections is designed for ages 0 to 5 and they must be accompanied by a caregiver. Sessions are held on Thursdays from 10:30-11:30am in the Wild Rose Room.

2021-2022 Dates:

• Sept. 9th – Dec. 9th
• Jan. 13th – Jun. 9th (no sessions on Feb. 17th or Apr. 14th)

Time: 10:30 am – 11:30 am
Location: Wild Rose Room

This free partner program between the Lac La Biche County Libraries and FCSS Young Family Connections is designed for ages 0 to 5 and they must be accompanied by a caregiver. Sessions are held on Thursdays from 10:30-11:30am in the Wild Rose Room.

2021-2022 Dates:

• Sept. 9th – Dec. 9th
• Jan. 13th – Jun. 9th (no sessions on Feb. 17th or Apr. 14th)

Time: 10:30 am – 11:30 am
Location: Wild Rose Room

This free partner program between the Lac La Biche County Libraries and FCSS Young Family Connections is designed for ages 0 to 5 and they must be accompanied by a caregiver. Sessions are held on Thursdays from 10:30-11:30am in the Wild Rose Room.

2021-2022 Dates:

• Sept. 9th – Dec. 9th
• Jan. 13th – Jun. 9th (no sessions on Feb. 17th or Apr. 14th)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

Do you like science fiction, fantasy, steampunk, comics, gaming, or anime? Then come join us at our Annual Library Con on Saturday, January 8th, 2022 from 11-3:30pm.

This is a pop culture convention is taking place on Saturday, January 9th. So don your cape, grab your mask, jump in your TARDIS and join us at the Stuart MacPherson Public Library where we will have activities for all ages from 11-3:30pm including a costume contest.

Theme: Disney

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

According to the dictionary, ‘adornment’ refers to the use of item(s) that decorate, embellish, enhance, beautify, or enrich. It could be said adornment is the finishing touch that distinguishes the wearer. Adornment from an Indigenous perspective goes beyond the items’ beauty. It is an artistic expression that conveys many levels of communication. It makes connection to a spiritual foundation, the importance to land and place, and defines inherent culture.

Early adornment provides a sense of knowledge about our ancestors that reflect the natural world in which they lived. The seasonal round of birth and rebirth shape our world view in a circulatory way as everything is interdependent.

Spirituality has been the foundation for Indigenous peoples’ lives and an ‘intrinsic quality of creative activity.’ These artistic expressions were woven into the fabric of daily life. Artifacts were generally created as items to be used, not as ‘art’. Bags, pouches, along with awl and knife sheaths were functional yet beautifully decorated.

Curated by MJ Belcourt and organized by the Art Gallery of Alberta (TREX Region 2)

Thank you to the presenters and attendees for joining our three Ladies Night sessions. Mark your 2022 calendars as we will be hosting one virtual and one in person event. More information to follow. 2022 Ladies Night Dates:

• Friday, March 25 – Stuart MacPherson Public Library

Time: 6-8pmLet’s get crafty, socialize virtually, and discover something new. Individual take home kits will be provided for this event for girls/ladies 13 and older. Event Schedule: TBA

Registration is required at least three days prior to the event – https://short.llbcl.ca/Ladiesnight

The week of the event we will send you the Zoom link, plus arrange pick up of your activity kit.